LOS ANGELES — This week, an exhibition of Chicano art opens, an essayistic documentary from filmmaker Chris Marker screens, a book signing brings together former Interview magazine editor Bob Colacello and photographer Catherine Opie, and more.
Giorgio Morandi + Robert Ryman: Object / Space
When: Opens Saturday, September 19, 4–6pm
Where: Kohn Gallery (1227 North Highland Avenue, Hollywood, Los Angeles)
Giorgio Morandi spent nearly his entire career painting still lifes — specifically, a seemingly endless array of washed-out vases, bowls, and bottles arranged on his studio table. Teetering between representation and abstraction, his paintings are masterful explorations into the subtleties of color, form, and composition. With its upcoming exhibition Object / Space, Kohn Gallery aims to draw connections between Morandi’s single-minded obsessiveness and that of Robert Ryman, who, for 60 years, has created nothing but abstract white paintings. Focusing on texture, scale, and gesture, Ryman has squeezed a remarkable amount of life from his narrow and reductive approach.
Giorgio Morandi, “Natura morta” (1950), oil on canvas, 13 4/5 x 17 7/10 inches; Robert Ryman, “Page” (1998), oil on canvas, 15 x 15 inches (via kohngallery.com)
Somewhere Over El Arco Iris: Chicano Landscapes 1971—2015
When: Opens Saturday, September 19, 7–10pm
Where: Museum of Latin American Art (MOLAA) (628 Alamitos Ave, Long Beach, California)
Somewhat surprisingly, Long Beach’s Museum of Latin American Art has never held an exhibition focused exclusively on Chicano artists from Southern California. Somewhere Over El Arco Iris is the museum’s first show to present work from this significant movement, featuring over 40 years of landscape painting, photography, and mixed-media works. Artists included range from Patssi Valdez and Gronk of seminal East Los Angeles based collective ASCO, to contemporary street artists Jaime “Germs” Zacarias and Johnny KMDZ Rodriguez.
Johnny KMNDZ Rodriguez, “Atascado” (2015), acrylic on panel, 48” x 60″ (courtesy KP Projects and the AltaMed Art Collection, via molaa.org)
Cerebral Vortex
When: Opens Saturday, September 19, 7–9pm
Where: MAMA Gallery (1242 Palmetto Street, Downtown, Los Angeles)
This Saturday, MAMA opens Cerebral Vortex, a multi-sensory, consciousness-expanding group show. Angeline Rivas creates an immersive installation based on her detailed ballpoint ink drawings, while Galen Pehrson’s hand-drawn animation peeks out from a hole in the wall. Double Diamond Sun Body’s video work will inject some absurdity into the mix, while polymath James Franco will be on a pay phone talking about his mind. On opening night, composer Jonathan Bepler, who has collaborated with artist Matthew Barney, will present a reinterpreted scene from Barney’s recent epic film The River of Fundament (on view now at MOCA).
James Franco, “Rainbow Goblin A” (2015), acrylic on printed canvas, 52 x 69.5 inches (via mama.gallery)
Manuel Scano Larrazàbal: Inexorable Acephalous Magnificence or How the Shit Hits the Fan
When: Opens Saturday, September 19, 7–10pm
Where: Museum as Retail Space (MaRS) (649 S. Anderson St., Boyle Heights, Los Angeles)
For the past century or so, artists have used machines to remove their hand from the creative process. Manuel Scano Larrazàbal’s large-scale drawings fit within this lineage, but the results could hardly be described as mechanical. Constructed from oscillating fans, string, and dangling markers, his drawing contraption creates works that reflect an organic sense of randomness and whimsy. Throughout the run of the exhibition, titled Inexorable Acephalous Magnificence or How the Shit Hits the Fan, his site-specific apparatus will be producing drawings including a 270 square-foot monumental painting.
Bob Colacello’s ‘Holy Terror: Andy Warhol Close Up, ‘and Catherine Opie’s ‘700 Nimes Road’ (via artcatalogues.com)
Bob Colacello & Catherine Opie in Conversation
When: Sunday, September 20, 4–6pm
Where: Art Catalogues at the Los Angeles County Museum of Art (LACMA) (5905 Wilshire Boulevard, Mid-Wilshire, Los Angeles)
As editor of Andy Warhol’s Interview magazine in the ’70s, Bob Colacello had intimate insight into the life of the famously guarded artist. His recently reprinted 1990 book Holy Terror: Andy Warhol Close Up is considered one of the best insider accounts of Warhol’s life. Photographer Catherine Opie is best known for her direct and candid portraits of American subcultures — from queer communities to high school football players. Her new book 700 Nimes Road captures a different kind of “indirect portrait” of Elizabeth Taylor through images of her home and possessions. This Sunday, Art Catalogues hosts a book signing and conversation between Colacello and Opie on fame, persona, and pop culture.
A Grin Without a Cat
When: Sunday, September 20, 7:30pm
Where: Veggie Cloud (5210 Monte Vista Street, Highland Park, Los Angeles)
The works of influential French filmmaker Chris Marker range from experimental movies like the 1962 photomontage short La Jetée to essayistic documentaries. An avowed political leftist, Marker’s films often focused on the social upheavals of the time, such as anti-American ¡Cuba Sí! (1961), which featured interviews with Castro. A Grin Without a Cat (1977) is Marker’s attempt to portray the development of global Socialism since 1968, specifically in France and Latin America, contrasting initial hope with the ensuing reality.