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20 Jan 03:12

Oldest known drinking straws identified

by noreply@blogger.com (Unknown)
James Folta

Ancient beer hang. It's cool to read portions of this article in a Bill/Ted voice


Archaeologists have identified the oldest surviving drinking straws. The long silver and gold tubes are over 5,000 years old and were likely used to drink beer from a communal vessel.


Oldest known drinking straws identified
An artist's conception shows men drinking beer from a communal vessel
[Credit: Kelvin Wilson]

These were initially found in 1897 in the Maikop Kurgan in the Caucuses. This large burial mound is one of the most famous Bronze Age elite graves from the region, containing three individuals and hundreds of precious objects.




This included the eight tubes, each over a metre long, some with bull figurines on the stem. Earlier research identified them as scepters or perhaps poles for a canopy. They are now on display in the Hermitage Museum, St Petersburg, but their purpose remained unknown. As such, new research by a team in Russia, published in Antiquity, re-investigated them.


Oldest known drinking straws identified
The Maikop kurgan: a–b) Veselovsky's (Reference Veselovsky1897 sketch of the primary burial,
 showing the position of the eight gold and silver tubes (marked in Russian as ‘sceptres’); с) part
of the 1898 photograph, showing one complete and seven broken, partly corroded ‘sceptres’
in four boxes [Credit: Institute for the History of Material Culture,
Russian Academy of Sciences, St Petersburg, Russia]

"A turning point was the discovery of the barley starch granules in the residue from the inner surface of one of the straws. This provided direct material evidence of the tubes from the Maikop kurgan being used for drinking," said the lead author Dr. Viktor Trifonov from the Institute for the History of Material Culture, Russian Academy of Sciences, St Petersburg.


Specifically, this suggests these straws were used for drinking beer, although the researchers could not confirm that the barley had been fermented.


Oldest known drinking straws identified
Three of eight silver perforated silver tips from the Maikop kurgan: a) enlarged images
 of the design and slits; b) the silver tips in their original position (photographs a1–2
[Credit: V. Trifonov]; b1–3 [Credit: Institute for the History of Material Culture,
Russian Academy of Sciences, St Petersburg, Russia]

Drinking beer through long straws became common practice in the early Mesopotamian civilisation of Sumeria from the third millennium BC onward. Art depicts multiple long straws placed in a communal vessel, allowing people standing or sitting nearby to drink together.




During their research, Dr. Trifonov and the team identified several key similarities with such Sumerian straws. Notably, most of them feature metal strainers to filter out the impurities common in ancient beer, something that is also seen in the Maikop straws.


Oldest known drinking straws identified
The design of the ‘sceptre’ components from the Maikop kurgan: 1) one of eight silver perforated tips;
 2) joint between two segments of the silver tube, and longitudinal seam; 3–5) types of fittings;
6) probable soldered longitudinal seam [Credit: V. Trifonov]

Such similarities with Sumerian finds led the researchers to conclude the Maikop tubes are also drinking straws. "If the interpretation is correct, these fancy devices would be the earliest surviving drinking straws to date," said Dr. Trifonov, as they are over 5,000 years old.


However, this is not the oldest evidence of straws known. Seals from Iran and Iraq dating to the fifth to fourth millennium BC depict people drinking with them from a communal vessel.


Oldest known drinking straws identified
Schematic drawing of the set of ‘sceptres’ from the Maikop kurgan: 1–2) gold and silver tubes;
 3–4) gold and silver tubes with gold bull figurines; 5–6) silver tubes with silver bull figurines;
7–8) silver tubes. Note that this figure shows the objects with the tips pointing upwards,
as assumed by previous scholars [Credit: V. Trifonov]

Given this consistent use of straws with this design for drinking beer from a communal vessel, the researchers concluded that the newly found straws were also likely used in the same way.

 



Consistent with this, a large vessel was also found in the Maikop Kurgan that could hold enough beer for each of the eight drinkers to have seven pints.


Oldest known drinking straws identified
Reconstructed use of the drinking tubes from the Maikop kurgan
[Credit: V. Trifonov]

Despite these similarities, these new straws are found hundreds of kilometres away from the other early evidence of drinking straw use in Mesopotamia and the surrounding region.


"The finds contribute to a better understanding of the ritual banquets' early beginnings and drinking culture in hierarchical societies," said Dr. Trifonov. Such practices must have been important and popular enough to spread between the two regions.


Oldest known drinking straws identified
The chaîne opératoire of an experimental tip strainer made
from common reed (Phragmites australis)
[Credit: V. Trifonov]

It also sheds light on the culture of Maikop, showing it had deep ties with its neighbours to the south and perhaps a taste for the luxury and spectacle of their drinking ceremonies.


Notably, such ceremonies in ancient Sumeria were often part of 'royal' funerals. The inclusion of these straws in the Maikop burial mound and their prized position close to the deceased hints that these lavish burials may have also taken place in the Caucuses.


Oldest known drinking straws identified
Figurines with vertical perforations: 1–2) gold and silver bull figurines from the Maikop kurgan; 3) silver figurine of a gazelle (?) from the Staromyshastovsky hoard; 4) animal (Ovis) figurine from Uruk made from bitumen and covered in gold (after Becker Reference Becker1993: 105, pls. 116 & 1234, colourised) (photographs 1–3 courtesy of the State Hermitage Museum, St Petersburg, Russia)

"Before having done this study, I would never have believed that in the most famous elite burial of the Early Bronze Age Caucasus, the main item would be neither weapons nor jewellery, but a set of precious beer-drinking straws," said Dr. Trifonov.


Source: Cambridge University Press [January 19, 2022]



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11 Jan 21:57

How to Ride a Pterosaur, According to Science

by OC

From the BBC: “During the Late Cretaceous, winged prehistoric creatures called pterosaurs dominated the air. They were the first vertebrates to master flight. They were not dinosaurs but closely related. Some were tiny, but some were the biggest creatures ever to have flown. We ask a question you’ve all been wondering, could we ride one, and if so, how?” In the animation above, science producer Pierangelo Pirak explores some ideas Dr. Liz Martin-Silverstone, a palaeontologist with a keen interest in biomechanics. She runs the Palaeobiology Laboratories, including the XTM Imaging Facility for microCT scanning and imaging analysis, at the University of Bristol.

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via TheKidsShouldSeeThis

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How to Ride a Pterosaur, According to Science is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

10 Jan 23:45

75 Post-Punk and Hardcore Concerts from the 1980s Have Been Digitized & Put Online: Fugazi, GWAR, Lemonheads, Dain Bramage (with Dave Grohl) & More

by Ted Mills

Between 1985 and 1988, a teenager by the name of Sohrab Habibion was attending punk and post-punk shows around the Washington, DC area. What set him apart was the bulky video camera he’d bring to the show and let roll, documenting entire gigs in all their low-rez, lo-fi glory. Just a kid trying to document a great night out. Habibion might not have known at the time what an important time capsule he was creating, but these 60 or so tapes have now been digitized and uploaded to YouTube, thanks to Roswell Films and the DC Public Library’s Punk Archive.

“Please keep in mind that I was a teenager when I shot these shows,” Habibion writes, “and had zero proficiency with the equipment. And, as you might imagine, nobody was doing anything with the lights or the sound to make things any better. What you get here is what was recorded on my Betamax and probably best appreciated with a bit of generosity as a viewer.”

Highlights include the above full concert by Fugazi on December 28, 1987, a year before their first e.p. and playing songs that would turn up on their 1990’s classic debut Repeater; Descendents in 1987 at the height of their career; The Lemonheads when they were a punk band and not a power pop group; the insane and hilarious GWAR from 1988, the year of their debut; and another hometown punk band, Dain Bramage, which featured Dave Grohl on drums, long before he played with Nirvana and the Foo Fighters (see below).

Habibion went on to his own musical career: first as the frontman for post-hardcore band Edsel, and currently as part of the band SAVAK.

Habibion’s tape archive makes one wonder: who else is out there sitting on a trove of historic recordings? And where is that person’s equivalent of the DC Library? Who would help fund such a project? And who would see the worth of such recordings? Not only are Habibion’s tapes about the bands themselves, but they tell a separate history of music venues come and gone, of a time and place that will never come again. Watch the shows here.

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Ted Mills is a freelance writer on the arts who currently hosts the Notes from the Shed podcast and is the producer of KCRW’s Curious Coast. You can also follow him on Twitter at @tedmills, and/or watch his films here.

75 Post-Punk and Hardcore Concerts from the 1980s Have Been Digitized & Put Online: Fugazi, GWAR, Lemonheads, Dain Bramage (with Dave Grohl) & More is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

07 Jan 19:05

Molten Roads and Airbursts

by Geoff Manaugh

[Image: Max Ernst, “Landscape with a view of the lake and chimeras” (1940), via Archive.]

While we’re on the subject of astronomical events leaving traces in our everyday world, here’s another story, this one from November: “an airburst over the Atacama Desert 12,000 years ago melted the ground into glass,” according to new research aimed at explaining why “twisted chunks of black and green glass” lie scattered all over Chile.

The airburst—likely an exploding comet—“probably generated strong winds that flung the glass as it formed,” giving the glass an unusual “folded look.” This “folded look” suggests that “the glass had been thrown around and rolled. It was basically kneaded like bread.”

Given that this was only 12,000 years ago, it’s not impossible that some of it was witnessed by human beings; either way, the immediate aftermath would have been astonishing to behold, a 50-mile line of molten sand, warped and roiling like the sea, forming spheres and waves, freezing and shattering, a road of glass disappearing with an eerie glow over the desert horizon.

In fact, imagine such an event occurring in, say, the Middle East around the same time, thus forming the basis for bizarre future folklore, legendarily strange Biblical scenes, tales of molten glass roads appearing in a flash from the sky.

(Max Ernst painting included here purely for illustrative effect. Circumstantially relevant: Brainglass.)

28 Nov 17:44

Diary of the Guy Who Drove the Trojan Horse Back from Troy

James Folta

Am I allowed a lil self-share ;)

Black and white illustration of soldiers coming out from the Trojan Horse
Art work from Bettmann / Getty

Big news: the generals asked me to take the Horse back to Greece! I assumed that we would leave it in Troy—it got pretty dirty—but I guess the higher-ups want to hang on to it.

I wish I were sailing home with the rest of the guys, but as Eurydamas reminded me, now when the poets sing of this great victory they’ll surely mention me—Alexandros the Big Horse Driver!


On the road! This is the first part of the Trojan War that hasn’t been awful for me. I spent most of it blindly shooting arrows over a wall and moving dead bodies around. And I only saw a god once, when Hephaestus was trying to fix a shield. He wasn’t even using any divine fixing powers—he was actually sort of struggling with it.


The Horse is a breeze to move—it’s very light without soldiers inside of it—but it’s unwieldy. I keep losing control of it, and it rolls all over the place. It gets caught in trees and stuck in mud, and I have to chase it when it gets going too fast down hills.


The other big downside to the Horse’s being light is that it’s easy to steal. The Horse doesn’t fit indoors, and I don’t have enough rope to tie it to anything. I’ve been leaving a note on it that says “Do Not Touch: Full of Soldiers!!!” It’s kept most people away, but it seems to attract teens and demigods. Go figure.


I got no sleep last night. Some drunk soldiers hired an artist to draw them standing next to the Horse. I guess these sorts of depictions are called “horsies.” And of course, once the artist finished, the whole thing immediately turned into an orgy, which not only did they not invite me to, but they also kicked me out of my own Horse until they finished!

I didn’t even get to be in the horsie.


The Horse’s wheels were really creaking so I stopped to get some grease. As I was leaving, the grease merchant said, “Safe travels dragging your giant horse.” And I did that thing where I said, “You, too,” as if he were also dragging a giant horse. So awkward.


Good news: I’m nearly halfway home! Bad news: Horse got wedged between two big trees. I stopped a passing centaur to help dislodge it and gave him some oats as a thank-you. I’d never seen a centaur eat a bag of raw oats before—it’s very upsetting.


Such a cool day, diary. I met the poet Homer! Nice guy but really intense. He said he’s gonna include me in his poem! This is what I’ve been saying—when people talk about the war, they’ll always remember Alexandros the Big Horse Driver who dragged the Trojan Horse home all by himself.

I also pitched Homer on a new demigod I came up with called Horseniax. He’s half man, half big wooden horse, and is the protector of big-horse drivers. Fingers crossed that Horseniax makes the poem, too.


I heard from a guy at the bar that nearly every Greek sailing back home has run into crazy issues—storms, vengeful gods, one-eyed giants. A bunch of them even got turned into pigs! Driving the Horse doesn’t seem like such a bum gig after all.

Update: I wrote that before I rolled the Horse over roadkill and the big wheels flung carcass bits everywhere. Definitely worse than what’s happening to everyone else making their way back to Greece. Equally as bad, at least.


Interesting observation: some horses are afraid of my giant, fake Horse, while some horses get very excited by it. I guess only the gods know what’s going on inside those horse heads. . . .


I’m finally home in Greece! I’ve got a lot of blisters and a nasty bite from a hydra who passed out inside the Horse after a bender, but I made it! The general in the city seemed shocked to see me and the Horse. He said he didn’t know where to put it, so I showed him my trick of placing branches all over the Horse to disguise it as a big tree. He gave me a kind of worried look, but I was too tired to make a big thing of it.

It just feels so good knowing that the Trojan Horse will forever be a symbol of perseverance. I bet in the future people will say things like, “We can rely on him—he’s a real Trojan Horse!”

And it’s all thanks to me, the hero of the Trojan War that history will never forget: Alexandros the Big Horse Driver.


More Humor

27 Oct 15:40

Exclusive kitchenware set discovered at Roman officer’s villa in Bulgaria

by noreply@blogger.com (Unknown)
James Folta

Steve RE: your apartment decorations!!!


An exclusive kitchenware set in the villa of a Roman officer in the legionary camp Novae in Bulgaria has been discovered by Polish archaeologists. Consisting of pots with lids, bowls and cups, the researchers also found glasses resembling today’s beer glasses.


Exclusive kitchenware set discovered at Roman officer’s villa in Bulgaria
Credit: Janusz Recław

Carried out by a mission of the Antiquity of Southeastern Europe Research Centre of the University of Warsaw, the archaeologists are continuing excavations of the so-called House of Centurion.




This is one of the largest buildings previously exposed in the area of the camp Novae, occupying an area of a quarter of a hectare and resembling a luxurious villa rather than a military commander’s quarters.


Exclusive kitchenware set discovered at Roman officer’s villa in Bulgaria
Credit: Janusz Recław

The centre of the complex is a spacious courtyard with a pool with niches on its ends. The walls of the building were decorated with wall paintings and the floors in some rooms were lined with ceramic plates.


Lead archaeologist Professor Piotr Dyczek said: “Unexpectedly, one of the most interesting discovered artefacts was a set of kitchenware used in the House of Centurion. The set is unique.


Exclusive kitchenware set discovered at Roman officer’s villa in Bulgaria
Credit: Janusz Recław

“Not only is it made of great quality clay, it also presents a full set of used forms, indirectly giving us insight into the culinary tastes of the lady of the house. In addition, the execution and clay are of very good quality. There are also small cups, one beer pint that resembles our modern pints. But pot we discovered has no handle and its surface is formed so that it can be easily and firmly held in the hand. Its size indicates that food was prepared for a small group of people, probably the centurion and his deputies or the guests.”




The dishes were either made in a single pot or boiled and roasted – a pan fragment is preserved. The researchers also found oyster shells next to the set which they assume are the remnants of a feast.


Exclusive kitchenware set discovered at Roman officer’s villa in Bulgaria
Credit: Janusz Recław

Dyczek continued: “After conservation and analysis of the vessels, we will be able to say more about the food. It will be also possible by analysing the bones we have found nearby. It is already clear that the food prepared for centurion was more sophisticated than that for ordinary legionnaires.”


The House of Centurion also had porticos, mandatory in Roman residential architecture, and an extremely large (nearly 40 m long) hypocaust system used to heat some of the rooms and the bath complex that included pools.


This year, archaeologists also discovered a toilet. Dyczek said: “The only part preserved to this day is a hole in the ground, which once was timbered with boards. This is an important discovery, because there are very few of them known from similar buildings in the Empire.”


Author: Szymon Zdziebłowski | Source: PAP - Science in Poland [October 22, 2021]



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18 Oct 14:17

Tove Jansson, Beloved Creator of the Moomins, Illustrates The Hobbit

by Josh Jones

What is a Hobbit? A few characters in J.R.R Tolkien’s classic work of children’s fantasy wonder themselves about the diminutive title characters who don’t get out much. Tolkien describes them thoroughly, a handful of well-known British and American actors immortalized them on screen, but the last word on what a Hobbit looks like belongs to the reader. Or — in an edition as richly illustrated as the Swedish and Finnish editions of the book were in 1962 and 1973 — to the Swedish/Finnish artist, Tove Jansson, most famous for her creation of internationally beloved children’s characters, the Moomins.

Like Bilbo Baggins himself, The Hobbit is full of surprises — while presenting itself as a book for kids, it contains adult lessons one never outgrows. So, too, was Jansson, “an acerbic and witty anti-fascist cartoonist during the Second World War,” write James Williams at Apollo.




“She wrote a picture book for children about the imminent end of the world and spare, tender fiction for adults about love and family.” Jansson had exactly the sensibility to bridge Tolkien’s worlds of imaginative fancy and adult danger and moral ambiguity. But first, she wanted to cast off all associations with her most famous creation.

As Jansson wrote to a friend when she ended the Moomins, “I never spare them a thought now it’s over. I’ve completely drawn a line under all that. Just as you wouldn’t want to think back on a time you had a toothache.” The Moomins were a creative millstone, and she struggled to get their style from around her neck.

“This led to an attempt to change the way in which she drew,” notes Moomin.com. “Tove tried different techniques and drew each figure freely again and again 20-60 times until she was happy with the result. From the book vignette illustrations, it is impossible to notice how the individual figures are pasted together into ‘a patchwork’ that made up each vignette.”

Despite her best efforts to escape her previous characters, however, “the majority of the full-page illustrations follow the characteristic style of Tove’s illustrations for the Moomin books.” Her own reservations aside, this is all to the good as Jansson’s Moomin books and comic strips were built from the same mix of sensibility — childlike wonder, grown-up ethics, and a respect for the deep ecology of myth. Both Tolkien and Jansson wrote during, after, and in response to Hitler’s rise to power and drew on “a Nordic folk tradition of trolls and forests, light and dark,” writes Williams. But Jansson brought her own artistic vision to The Hobbit. See more of her illustrations at Lithub.

via LitHub

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Tove Jansson, Beloved Creator of the Moomins, Illustrates <I>The Hobbit</I> is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

27 Sep 12:57

Explore Thousands of Free Vintage Cocktail Recipes Online (1705-1951)

by Ayun Halliday
James Folta

Heads up, I will demand everyone's attention tomorrow night to perform "The Advent of the Cocktail"

Where do the hipster mixologists of TokyoMexico City and Brooklyn take their inspiration?

If not from the Exposition Universelle des Vins et Spiritueux’ free collection of digitized vintage cocktail recipe books, perhaps they should start.

An initiative of the Museum of Wine and Spirits on the Ile de Bendor in Southeastern France, the collection is a boon to anyone with an interest in cocktail culture …ditto design, illustration, evolving social mores…

1928’s Cheerio, a Book of Punches and Cocktails was written by Charles, formerly of Delmonico’s, touted in the introductory note as “one who has served drinks to Princes, Magnates and Senators of many nations”. No doubt discretion prevented him from publishing his surname.




Charles apparently abided by the theory that it’s five o’clock somewhere, with drinks geared to various times of day, from the moment you “stagger out of bed, groggy, grouchy and cross-tempered” (try a Charleston Bracer or a Brandy Port Nog) to the midnight hour when “insomnia, bad dreams, disillusionment and despair” call for such remedies as a Cholera Cocktail or an Egg Whiskey Fizz.

As noted on the cover, there’s a section devoted to favorite recipes of celebrities. These bigwigs’ names will likely mean nothing to you nearly one hundred years later, but their first person reminiscences bring them roaring back to theatrical, boozy life.

Here’s celebrated vaudevillian Trixie Friganza:

In that nautical city of Venice, I first made the acquaintance of a remarkably delicious drink known as ‘Port and Starboard’. Pour one half part Grenadine or raspberry syrup in a cordial glass. Then on top of this pour one half portion of Creme de Menthe slowly so that the ingredients will not mix. Dear old Venice. 

Indeed.

Presumably any cocktail recipe in the EUVS’s vast collection could be adapted as a mocktail, but Charles gives a deliberate nod to Prohibition with a section on alcohol-free (and extremely easy to prepare) Temperance Drinks.

Don’t expect a Shirley Temple – the triple threat child star was but an infant when Cheerio was published. Expand your options with a Saratoga Cooler or an Oggle Noggle instead.

Before attempting to recite the poem that opens 1949’s Bottoms Up: A Guide to Pleasant Drinking, you may want to slam a couple of Depth Bombs Cocktails or a Merry Widow Cocktail No. 1.

In an abstemious condition, there’s no way this ditty can be made to scan…or rhyme:

The Advent of the Cocktail

A lonely, abandoned jigger of gin
Sat on a table top. “Alas”, cried he,
“Who will join me?” And he tried a friendly grin.
Came a pretty youth, Mam’selle Vermouth,
Who was bored with just being winey.
Said she to Sir Gin: “You’d be ever so nice
With Olive and Ice. And so they were Martini.

The cocktail recipes are solid, throughout, however, as one might expect from a book that doubled as an ad for sponsor First Avenue Wine and Liquor Corporation – “for Liquor…Quicker.”

We’ve yet to try anything from the “wines in cookery” section – but suspect that sturdy fare like Potato Soup and Baked Beans could help sop up some of the alcohol, even if contains some hair of the dog…

Shaking in the 60’s author Eddie Clark’s previous titles include Shaking with Eddie, Shake Again with Eddie and 1954’s Practical Bar Management. 

Clark, who served as head bartender at London’s Savoy Hotel, Berkeley Hotel and Albany Club, gets in the swinging 60s spirit, by dedicating this work to “all imbibing lovers.”

William S. McCall’s decidedly boozy illustrations of elephants, anthropomorphized cocktail glasses and scantily clad ladies contribute to the festive atmosphere, though you probably won’t be surprise to learn that some of them have not aged well.

Shaking in the 60’s boasts dozens of straight forward cocktail recipes (the Beatnik the Bunny Hug and the Monkey Hugall feature Pernod), a surprisingly serious-minded section on wine, and a couple of pages devoted to non-alcoholic drinks.

If your child turns up their nose at Clark’s Remain Sober, serve ‘em an Albermarle Pussycat.

Clark also draws on his professional expertise to help home bartenders get a grip on measurement conversionssupply lists, and toasts.

So confident is he in his ability to help readers throw a truly memorable party, he includes a dishy party log, that probably should be kept under lock and key after it’s been filled out. We imagine it would pair well with the Morning Mashie, another Pernod-based concoction dedicated to “all those entering the hangover class.”

Delve into the Exposition Universelle des Vins et Spiritueux’ free collection of digitized vintage cocktail recipe books from the 1820s through the 1960s here.

via Messy Nessy

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A Digital Library for Bartenders: Vintage Cocktail Books with Recipes Dating Back to 1753

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An Archive of 3,000 Vintage Cookbooks Lets You Travel Back Through Culinary Time

Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. Follow her @AyunHalliday.

Explore Thousands of Free Vintage Cocktail Recipes Online (1705-1951) is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

24 Sep 17:31

Earliest evidence of human activity found in the Americas

by noreply@blogger.com (Unknown)


Footprints found at White Sands National Park in New Mexico provide the earliest unequivocal evidence of human activity in the Americas and offer insight into life over 23,000 years ago.


Earliest evidence of human activity found in the Americas
Footprints found at White Sands National Park in New Mexico, providing
the earliest evidence of human activity in the Americas
[Credit: Cornell University]

The footprints were formed in soft mud on the margins of a shallow lake that now forms part of Alkali Flat, a large playa at White Sands. Researchers from the U.S. Geological Survey dated these tracks using radiocarbon dating of seed layers above and below the footprint horizons. The dates range in age and confirm human presence over at least two millennia with the oldest tracks dating from around 23,000 years ago, which corresponds to the height of the last glacial cycle—making them the oldest known human footprints in the Americas.




The research, published this week in Science, was conducted by scientists from Cornell, Bournemouth University, the National Park Service, U.S. Geological Survey and the University of Arizona. The tracks at White Sands were first discovered by David Bustos, resources manager at the park.


In order to investigate the site, the team pioneered non-invasive geophysical techniques led by Thomas Urban, research scientist in the College of Arts and Sciences and with the Cornell Tree Ring Laboratory.


Earliest evidence of human activity found in the Americas
Thomas Urban conducts a magnetometer survey of mammoth footprints
at White Sands [Credit: David Bustos/Cornell University]

"Detection and imaging with nondestructive technology has greatly expanded our capacity to study these remarkable footprints in their broader context," Urban said. "Now we have a unique window into life during the Pleistocene in North America, and this new study provides the first unequivocal evidence of a sustained human presence in the Americas thousands of years earlier than most archaeologists thought was likely."




The footprints tell an interesting tale of what life was like at this time, say the researchers. Judging by their size, the tracks were left mainly by teenagers and younger children, with the occasional adult. Animal tracks—mammoth, giant ground sloth, dire wolves and birds—are present as well.


"It is an important site because of all of the trackways we've found there show an interaction of humans in the landscape alongside extinct animals," said co-author Sally Reynolds of Bournemouth University. "We can see the coexistence between humans and animals on the site as a whole, and by being able to accurately date these footprints, we're building a greater picture of the landscape."



Traditional archaeology relies on the discovery of bones and tools but can often be difficult to interpret. Human footprints provide unequivocal evidence of presence and also of behavior. It was previously thought that humans entered America closer to 16,000 years ago, after the melting of the North American ice sheets, which opened up migration routes. However, the footprints show a much earlier migration of humans into the Americas.




"The footprints left at White Sands give a picture of what was taking place, teenagers interacting with younger children and adults," said Matthew Bennett, Bournemouth University, who helped lead the study. "We can think of our ancestors as quite functional, hunting and surviving, but what we see here is also activity of play, and of different ages coming together. A true insight into these early people."


For more information see: National Park Service: Information on White Sands National Park's fossilized footprints


Source: Cornell University [September 23, 2021]



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22 Sep 16:01

Medieval Scribes Discouraged Theft of Manuscripts by Adding Curses Threatening Death & Damnation to Their Pages

by Josh Jones

I’ve concluded that one shouldn’t lend a book unless one is prepared to part with it for good. But most books are fairly easy to replace. Not so in the Middle Ages, when every manuscript counted as one of a kind. Theft was often on the minds of the scribes who copied and illustrated books, a laborious task requiring literal hours of blood, sweat and tears each day.

Scribal copying took place “only by natural light — candles were too big a risk to the books,” Sarah Laskow writes at Atlas Obscura. Bent over double, scribes could not let their attention wander. The art, one scribe complained, “extinguishes the light from the eyes, it bends the back, it crushes the viscera and the ribs, it brings forth pain to the kidneys, and weariness to the whole body.”




The results deserved high security, and Medieval monks “did not hesitate to use the worst punishments they knew” for manuscript theft, writes Laskow, namely threats of “excommunication from the church and horrible, painful death.”

 

Theft deterrence came in the form of ingenious curses, written into the manuscripts themselves, going “back to the 7th century BCE,” Rebecca Romney writes at Mental Floss. Appearing “in Latin, vernacular European languages, Arabic, Greek, and more,” they came in such creative flavors as death by roasting, as in a Bible copied in Germany around 1172: “If anyone steals it: may he die, may he be roasted in a frying pan, may the falling sickness [epilepsy] and fever attack him, and may he be rotated [on the breaking wheel] and hanged. Amen.”

A few hundred years later, a manuscript curse from 15th-century France also promises roasting, or worse:

Whoever steals this book
Will hang on a gallows in Paris,
And, if he isn’t hung, he’ll drown,
And, if he doesn’t drown, he’ll roast,
And, if he doesn’t roast, a worse end will befall him.

The plucking out of eyes also appears to have been a theme. “Whoever to steal this volume tries, Out with his eyes, out with his eyes!” warns the final couplet in a 13th-century curse from a Vatican Library manuscript. Another curse in verse, found by author Marc Drogin, author of Anathema! Medieval Scribes and the History of Book Curses, gets especially graphic with the eye gouging:

To steal this book, if you should try,
It’s by the throat you’ll hang high.
And ravens then will gather ’bout
To find your eyes and pull them out.
And when you’re screaming ‘oh, oh, oh!’
Remember, you deserved this woe.

The hoped-for consequences were not always so grimly humorous. “Gruesome as these punishments seem,” the British Library writes, “to most medieval readers the worst curses were those that put the eternal fate of their souls at risk rather than their bodily health.” These would often be marked with the Greek word “Anathema,” sometimes “followed by the Aramaic formula ‘Maranatha’ (‘Come, Lord!’).” Both appear in a curse added to a manuscript of letters and sermons from Lesnes Abbey. Yet, unlike most medieval curses, here the thief is given a chance to make restitution. “Anyone who removes it or does damage to it: if the same person does not repay the church sufficiently, may he be cursed.”

Curses were not the only security solutions of manuscript culture. Medieval monks also used book chains and locked chests to secure the fruit of their hard labor. As the old saying goes, “trust in God, but tie your camel.” But if locks and divine providence should fail, scribes trusted that the fear of punishment – even eternal damnation — down the road would be enough to make would-be book thieves think again.

Related Content:

160,000+ Medieval Manuscripts Online: Where to Find Them

The Illuminated Manuscripts of Medieval Europe: A Free Online Course from the University of Colorado

Why Butt Trumpets & Other Bizarre Images Appeared in Illuminated Medieval Manuscripts

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Medieval Scribes Discouraged Theft of Manuscripts by Adding Curses Threatening Death & Damnation to Their Pages is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

21 Jul 22:20

Watch 15 Hours of The Pink Panther for Free

by Ayun Halliday

Remember Saturday mornings?

If you’re an American of a certain age, you probably spent a good chunk of them sprawled in front of the TV, absorbing a steady stream of network cartoons peppered with ads for toys and sugared cereal.

One of Saturday morning’s animated stars stood out from the crowd, a lanky, bipedal feline of a distinctly rosy hue.

He shared Bugs Bunny’s anarchic streak, without the hopped-up, motormouthed intensity.

In fact, he barely spoke, and soon went entirely mute, relying instead on Henry Mancini’s famous theme, which followed him everywhere he went.




Above all, he was sophisticated, with a minimalist aesthetic and a long cigarette holder.

Director Blake Edwards attributes his lasting appeal to his “promiscuous, fun-loving, devilish” nature.

John Cork’s short documentary Behind the Feline: The Cartoon Phenomenon, below, details how Edwards charged commercial animators David DePatie and Friz Freleng with creating a cartoon persona for the Pink Panther Diamond in his upcoming jewel heist caper.

DePatie, Freleng and their team drafted over a hundred renderings in response to the character notes Edwards bombarded them with via telegram.

Edward’s favorite, designed by director Hawley Pratt, featured the iconic cigarette holder and appeared in the feature film’s trailer and title sequence, ultimately upstaging a star studded cast including David Niven, Claudia Cardinale, Robert Wagner, and Peter Sellers as Inspector Clouseau.

The cartoon panther’s sensational debut prompted United Artists to order up another 156 shorts, to be released over a four to five year period. The first of these, The Pink Phink, not only established the tone, it also nabbed the Academy Award for 1964’s best animated short.

Although he was created with an adult audience in mind — the narrator of the original theatrical trailer asks him about bedroom scenes — his wordless torment of the simplified cartoon Inspector proved to be money in the bank on Saturday mornings.

The Pink Panther Show ran from 1969 to 1980, weathering various title tweaks and a jump from NBC to ABC.

Syndication and cable TV ensured a vibrant afterlife, here and in other countries, where the character’s sophistication and reliance on body language continues to be a plus.

The plots unfolded along predictable lines — the groovy panther spends 6 minutes thwarting and bedeviling a less cool, less pink-oriented character, usually the Inspector.

Every episode’s title includes a reference to the star’s signature color, often to groaning degree – Pink of the LitterPink-A-BooThe Hand Is Pinker Than the EyePinkcome TaxThe Scarlet Pinkernel….

We won’t ask you to guess the color of Pink Panther Flakes, manufactured under the auspices of Post, a Pink Panther Show co-sponsor.

“I thought it was just fine for the film,” Edwards says of the animated Pink Panther in Cork’s 2003 documentary, “But I had no idea that it would take off like that, that it would have that kind of a life of its own… that kind of a merchandising life of its own. Thank god it did!”

Stay cool this summer with an 11-hour Pink Panther marathon, comprised of the following free compilations of Seasons 1, 2, 3 and 4.

Season 1

Season 2

Season 3

Season 4

Related Content: 

How Looney Tunes & Other Classic Cartoons Helped Americans Become Musically Literate

The Animations That Changed Cinema: The Groundbreaking Legacies of Prince Achmed, Akira, The Iron Giant & More

Peter Sellers Performs The Beatles “A Hard Day’s Night” in Shakespearean Voice

Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. Follow her @AyunHalliday.

Watch 15 Hours of <I>The Pink Panther</I> for Free is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

01 Jun 22:55

Somewhere, Ed Freeman

James Folta

Okay so here's a meta-question for you all -- I'm feeling a little overwhelmed by my feeds here! I think it's keeping my from using reader as best as I can. What's ya'll's strategies for curating and culling and organizing your feeds? Should I scrap everything and start from scratch? Or Marie Kondo them?

halk osr

12 May 14:30

The Mitchells Vs. The Machines fights off animated routine with great jokes and characters

by Jesse Hassenger
James Folta

Don't know if you guys have watched yet but this movie is a gas. My buddy Guillermo was the head of story on it and I am very proud of him and his good movie

At first, The Mitchells Vs. The Machines seems as though it’s working from a checklist of American feature animation’s deadliest sins, compiled by an exhausted movie critic or parent or both. The clichés stack up with abandon. There’s wild, hyperbolic action, which of course slows down for an obligatory ultra-slow-mo…

Read more...

12 Apr 18:55

Humanity's technological zenith reached with 3D printer that makes a little sandwich

by Reid McCarter on News, shared by Reid McCarter to The A.V. Club

Humanity is set apart from the rest of the animal kingdom thanks to our remarkable technological achievements. Our species has made the wheel, the printing press, the internet, and spaceships that bring us to the stars. All of those inventions pale in comparison to the creative apex reached by YouTuber Kuroki Yuto,…

Read more...

09 Apr 19:00

In Soviet Russia, This 1991 Lord of the Rings Adaptation Watches You

by Devon Ivie
You shall pass and watch this as soon as you possibly can: A Soviet television adaptation of Lord of the Rings has been recently unearthed on YouTube, 30 years... More »
07 Mar 15:58

Acoustic Archaeology

by Geoff Manaugh
James Folta

Avian oral history, not bad!

In her new book, The Bird Way, Jennifer Ackerman describes Australian lyrebirds as audio archaeologists, birds capable of keeping lost songs and soundscapes alive across multiple generations even as local ecologies change.

She describes a group of lyrebirds captured in one part of Australia and later released in Tasmania. “The birds continued mimicking birdcalls from their old landscape for many years,” Ackerman writes. “Thirty years after they were released, their descendants were said to be imitating birds never present on the island, such as pilotbirds and whipbirds,” thus offering what Ackerman calls “compelling proof of cultural transmission, one generation passing on knowledge to the next.”

For Ana Dalziell, a lyrebird-expert Ackerman meets out in the field, this makes lyrebirds “archivists of soundscapes.”

[Image: Painting of a lyrebird by John Gould, courtesy archive.org.]

The idea that the acoustics of no-longer-existing landscapes are being passed down socially through generations of songbirds is incredible, as well as suggestive of a possible tool by which landscape historians could attempt the sonic reconstructing lost environments.

The sounds of old elevators or HVAC systems in a now-destroyed building—perhaps even a demolished work by a globally renowned architect, her building now known only through acoustic after-effects, its buzzes and whirs still passed tree to tree—still being imitated by local songbirds; or the sounds of wind passing through now-extinct trees, or trees lost to recent wildfires, still being reproduced by local songbirds; or the sounds of ground-dwelling predators who are not extinct, but have nevertheless moved on to other parts of Australia, still popping up as acoustic imitations: an audio archaeology based entirely in the communal surround-sound of social singers.

You want to hear the sounds of lost buildings or extinct landscapes, and merely need to head deep into the trees, listening to lyrebirds along the way.

(Thanks to Nicola Twilley for giving me The Bird Way!)

23 Feb 17:48

Archaeologists Find the Earliest Work of “Abstract Art,” Dating Back 73,000 Years

by Josh Jones
James Folta

Very neat!

Image by C. Foster

Art, as we understand the term, is an activity unique to homo sapiens and perhaps some of our early hominid cousins. This much we know. But the matter of when early humans began making art is less certain. Until recently, it was thought that the earliest prehistoric art dated back some 40,000 years, to cave drawings found in Indonesia and Spain. Not coincidentally, this is also when archaeologists believed early humans mastered symbolic thought. New finds, however, have shifted this date back considerably. “Recent discoveries around southern Africa indicate that by 64,000 years ago at the very least,” Ruth Schuster writes at Haaretz, “people had developed a keen sense of abstraction.”

Then came the “hashtag” in 2018, a drawing in ochre on a tiny flake of stone that archaeologists believe “may be the world’s oldest example of the ubiquitous cross-hatched pattern drawn on a silcrete flake in the Blombos Cave in South Africa,” writes Krystal D’Costa at Scientific American, with the disclaimer that the drawing’s creators “did not attribute the same meaning or significance to [hashtags] that we do.” The tiny artifact, thought to be around 73,000 years old, may have in fact been part of a much larger pattern that bore no resemblance to anything hashtag-like, which is only a convenient, if misleading, way of naming it.




The artifact was recovered from Blombos Cave in South Africa, a site that “has been undergoing excavation since 1991 with deposits that range from the Middle Stone Age (about 100,000 to 72,000 years ago) to the Later Stone Age (about 42,000 years ago to 2,000 years BCE).” These findings have been significant, showing a culture that used heat to shape stones into tools and, just as artists in caves like Lascaux did, used ochre, a naturally occurring pigment, to draw on stone. They made engravings by etching lines directly into pieces of ochre. Archaeologists also found in the Middle Stone Age deposits “a toolkit designed to create a pigmented compound that could be stored in abalone shells,” D’Costa notes.

Nicholas St. Fleur describes the tiny “hashtag” in more detail at The New York Times as “a small flake, measuring only about the size of two thumbnails, that appeared to have been drawn on. The markings consisted of six straight, almost parallel lines that were crossed diagonally by three slightly curved lines.” Its discoverer, Dr. Luca Pollarolo of the University of the Witwatersrand in Johannesburg, expresses his astonishment at finding it. “I think I saw more than ten thousand artifacts in my life up to now,” he says, “and I never saw red lines on a flake. I could not believe what I had in my hands.”

The evidence points to a very early form of abstract symbolism, researchers believe, and similar patterns have been found elsewhere in the cave in later artifacts. Professor Francesco d’Errico of the French National Center for Scientific Research tells Schuster, “this is what one would expect in traditional society where symbols are reproduced…. This reproduction in different contexts suggests symbolism, something in their minds, not just doodling.”

As for whether the drawing is “art”… well, we might as well try and resolve the question of what qualifies as art in our own time. “Look at some of Picasso’s abstracts,” says Christopher Henshilwood, an archaeologist from the University of Bergen and the lead author of a study on the tiny artifact published in Nature in 2018. “Is that art? Who’s going to tell you it’s art or not?”

Researchers at least agree the markings were deliberately made with some kind of implement to form a pattern. But “we don’t know that it’s art at all,” says Henshilwood. “We know that it’s a symbol,” made for some purpose, and that it predates the previous earliest known cave art by some 30,000 years. That in itself shows “behaviorally modern” human activities, such as expressing abstract thought in material form, emerging even closer to the evolutionary appearance of modern humans on the scene.

Related Content: 

Hear a Prehistoric Conch Shell Musical Instrument Played for the First Time in 18,000 Years

A Recently-Discovered 44,000-Year-Old Cave Painting Tells the Oldest Known Story

40,000-Year-Old Symbols Found in Caves Worldwide May Be the Earliest Written Language

Was a 32,000-Year-Old Cave Painting the Earliest Form of Cinema?

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Archaeologists Find the Earliest Work of “Abstract Art,” Dating Back 73,000 Years is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

26 Jan 22:35

Dinosaur embryo find helps crack baby tyrannosaur mystery

by noreply@blogger.com (Unknown)
James Folta

Baby animal content!

They are among the largest predators ever to walk the Earth, but experts have discovered that some baby tyrannosaurs were only the size of a Border Collie dog when they took their first steps. Artist's impression of a juvenile tyrannosaur [Credit: Julius Csotonyi] The first-known fossils of tyrannosaur embryos have shed light on the early development of the colossal animals, which could grow to 40 feet in length and weigh eight...

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04 Jan 20:19

Watch 26 Free Episodes of Jacques Pépin’s TV Show, More Fast Food My Way

by Ayun Halliday
James Folta

Ou sont mes Jacques-tetes

You need never endeavor to make any of the recipes world renowned chef Jacques Pépin produced on camera in his 2008 series More Fast Food My Way.

The helpful hints he tosses off during each half hour episode more than justify a viewing.

The menu for the episode titled “The Egg First!,” above, includes Red Pepper DipAsparagus Fans with Mustard Sauce, Scallops Grenobloise, Potato Gratin with Cream, and Jam Tartines with Fruit Sherbet so simple, a child could make it (provided they’re set up with good quality poundcake in advance.)

Delicious… especially when prepared by a culinary master Julia Child lauded as “the best chef in America.”




And he’s definitely not stingy with matter-of-fact advice on how to peel asparagus, potatoes and hard boiled egg, grate fresh nutmeg with a knife, and dress up store bought mayo any number of ways.

His recipes (some available online here) are well suited to the current moment. The ingredients aren’t too difficult to procure, and each episode begins with a fast, easy dish that can be explained in a minute, such as Mini Croques-MonsieurAsian Chicken Livers, or Basil Cheese Dip.

Many of the dishes harken to his childhood in World War II-era Lyon:

When we were kids, before going to school, my two brothers and I would go to the market with my mother in the morning. She had a little restaurant… There was no car, so we walked to the market—about half a mile away—and she bought, on the way back, a case of mushrooms which was getting dark so she knew the guy had to sell it, so she’d try to get it for half price… She didn’t have a refrigerator. She had an ice box: that’s a block of ice in a cabinet. In there she’d have a couple of chickens or meat for the day. It had to be finished at the end of the day because she couldn’t keep it. And the day after we’d go to the market again. So everything was local, everything was fresh, everything was organic. I always say my mother was an organic gardener, but of course, the word ‘organic’ did not exist. But chemical fertilizer did not exist either.

If you have been spending a lot of time by yourself, some of the episode themes may leave a lump in your throat—Dinner Party SpecialGame Day Pressure, and Pop Over Anytime, which shows how to draw on pantry staples and convenience foods to “take the stress out of visitors popping in.”

The soon to be 85-year-old Pépin (Happy Birthday December 18, Chef!) spoke to Zagat earlier about the pandemic’s effect on the restaurant industry, how we can support one another, and the beauty of home cooked meals:

People—good chefs—are wondering how they will pay their rent. It is such a terrible feeling to have to let your employees go. In a kitchen, or a restaurant, we are like a family, so it is painful to separate or say goodbye. That said, it is important to be optimistic. This is not going to last forever.

Depending on where you are, perhaps this is a chance to reconnect with the land, with farmers, with the sources of food and cooking. This is a good time to plant a garden. And gardening can be very meditative. Growing food is not just for the food, but this process helps us to reconnect with who we are, why we love food, and why we love cooking. With this time, cook at home. Cook for your neighbor and drop the food off. Please your family and your friends and your own palate with food, for yourself. This is not always easy for a chef with the pressure of running a restaurant. Cooking is therapeutic…

Many people now are beginning to suffer economically. But if you can afford it, order take-out, and buy extra for your neighbors. If you can afford it, leave a very large tip. Think about the servers and dishwashers and cooks that may not be able to pay their rent this month. If you can be more generous than usual, that would be a good idea. We need to do everything we can to keep these restaurants in our communities alive.

…this moment is a reassessment and re-adjustment of our lives. Some good things may come of it. We may have the opportunity to get closer to one another, to sit as a family together at the table, not one or two nights a week, but seven! We may not see our friends, but we may talk on the phone more than before. Certainly, with our wives and children we will be creating new bonds. We will all be cooking more, even me. This may be the opportunity to extend your palate, and to get your kids excited about cooking and cooking with you.

Watch a playlist of Jacques Pépin: More Fast Food My Way (they’re all embedded below) courtesy of KQED Public Television, which has also shared a number of free downloadable recipes from the program here.

Attention last minute holiday shoppers: the companion cookbook would make a lovely gift for the chef in your life (possibly yourself.)

Related Content:

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Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. She most recently appeared as a French Canadian bear who travels to New York City in search of food and meaning in Greg Kotis’ short film, L’Ourse.  Follow her @AyunHalliday.

Watch 26 Free Episodes of Jacques Pépin’s TV Show, <i>More Fast Food My Way</i> is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

26 Oct 18:44

These two bird-sized dinosaurs evolved the ability to glide, but weren't great at it

by noreply@blogger.com (Unknown)
James Folta

Pour one out for the almost-birds

Despite having bat-like wings, two small dinosaurs, Yi and Ambopteryx, struggled to fly, only managing to glide clumsily between the trees where they lived, researchers report in the journal iScience. Unable to compete with other tree-dwelling dinosaurs and early birds, they went extinct after just a few million years. The findings support that dinosaurs evolved flight in several different ways before modern birds evolved. This...

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26 Oct 15:48

Gladiator with surfer bro voices proves surfer bro voices are still very funny

by Dan Caffrey on News, shared by Dan Caffrey to The A.V. Club
James Folta

this is so deeply satisfying

Are you not entertained? After watching this YouTube video of Gladiator characters speaking in surfer-bro voices, indeed we are. The clip is exactly what it sounds like, with YouTuber Paul L Benton overdubbing an early scene between Maximus (Russell Crowe) and his mentor Marcus Aurelius (Richard Harris) with a SoCal…

Read more...

09 Oct 14:31

Study finds preserved brain material in Vesuvius victim

by noreply@blogger.com (Unknown)
Brain cells have been found in exceptionally preserved form in the remains of a young man killed in the eruption of Mount Vesuvius almost 2,000 years ago, an Italian study has revealed. A fragment of the vitrified brain [Credit: Pier Paolo Petrone] The preserved neuronal structures in vitrified or frozen form were discovered at the archaeological site of Herculaneum, an ancient Roman city engulfed under a hail of volcanic ash after...

[[ This is a content summary only. Visit my website for full links, other content, and more! ]]
06 Oct 18:42

Hand-Colored Maps of Wealth & Poverty in Victorian London: Explore a New Interactive Edition of Charles Booth’s Historic Work of Social Cartography (1889)

by Josh Jones

Mapping has always been contentious, no matter where you look in time. Maps preserve ideological assumptions on paper, rationalizing physical space as they render it in two dimensions. No matter how didactic, they can become political weapons. In the case of Charles Booth’s visually impressive Maps Descriptive of London Poverty, we have a series of maps whose own assumptions can sometimes seem at odds with their ostensible purpose: to improve the living conditions of London’s poor.

Booth’s “colourful poverty maps were created between 1886 and 1903,” Zoe Craig writes at Londonist, as part of a “ground-breaking study into the lives of ordinary Londoners.” A philanthropist born into wealth in the shipping trade, Booth took it upon himself to study poverty in London in order to initiate social reforms.




He succeeded. The study, conducted by Booth and a team of researchers, led to the creation of Old Age pensions, which Booth called “limited socialism,” as well as school meals for hungry children. He was clear about that fact that he saw such reforms as a bulwark against socialist revolution.

The study’s seventeen volumes are filled with picturesque accounts. “Picking through the tidbits of information from these people’s lives will make you feel a bit like a Victorian costume drama police detective,” Craig remarks. This reference to policing feels pointed, given the role of the police in maintaining class hierarchies in Victorian London. As an American, it can be hard to look at Booth’s map and not also see the 20th redlining practices in U.S. cities. Consider, for example, the categories Booth applied to London’s classes:

Called 'Inquiry Into the Life and Labour of the People in London', the epic work studied families and residents living across London, and coloured the streets according to their financial situation: between black for 'lowest class, vicious, semi-criminal' through pink for mixed 'some comfortable, some poor' to orange for 'wealthy'.

As in Daniel Patrick Moynihan’s paternalistic 1965 report on the Black underclass in the U.S., the language reinforces Social Darwinist ideas that deem the “lowest class” unfit for full participation in civil society—“vicious, semi-criminal…”

Of course, the social and historical context differs markedly, but we might also consider Feargus O’Sullivan’s observations at Bloomberg CityLab. A new published edition of the map, he writes, “accompanied by compelling if bleak period photos, reveals a city that possesses echoes of London today. It depicts, after all, a densely-packed metropolis with a cosmopolitan population where immensely wealthy people lived just around the corner from neighbors who were struggling to make ends meet.”

Maps may not create the social conditions they describe, but they can help perpetuate them, rendering people visible in ways that allow for even more control over their lives. Criticisms of Booth’s study claimed that not only did the proposed reforms not go far enough but that the report described London’s class structure while offering little to no analysis of the causes of poverty. In language that sounded less objectionable to Victorian ears, the poor are mostly blamed for their own condition.

None of the study’s particular limitations take away from the graphic achievements of its maps and explanatory charts. They are, the London School of Economics writes, a striking “early example of social cartography.” The LSE hosts an incredibly detailed, searchable, high-resolution interactive version of the maps, assembled together and overlaid on a modern GPS map of London. They also detail the various editions of the maps as they appeared between 1898 and 1903.

Hand-colored and based on the 1869 Ordnance Survey, the maps seemed “sufficiently important” to Booth to warrant “comprehensive revision.” Here, the police appear in person to guide the process. “Social investigators accompanied policemen on their beats across London,” the LSE writes, “and recorded their own impressions of each street and the comments of the policemen.” You can read the police notebooks from these surveys at the LSE and learn more about the 12 district maps and the demographic data they represent at Mapping London. The LSE printed a hardcover print edition of Booth's work in 2019, complete with 500 illustrations. You can purchase a copy here. Or visit the interactive edition here.

via Messy Nessy

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Synchronized, Timelapse Video Shows Train Traveling from London to Brighton in 1953, 1983 & 2013

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Hand-Colored Maps of Wealth & Poverty in Victorian London: Explore a New Interactive Edition of Charles Booth’s Historic Work of Social Cartography (1889) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

28 Sep 14:28

Desus & Mero on Beyoncé’s secret identity and Google Reader as a metaphor for life

by Katie Rife on TV Club, shared by Katie Rife to The A.V. Club
James Folta

More Reader fans!

Desus Nice and The Kid Mero have no problem admitting that they watch their own show or that they laugh at their own jokes. Talking themselves up is how they got their first podcast, Desus V. Mero, on Complex TV back in 2013, and knowing their own worth is what motivated them to leapfrog from basic cable to Showtime…

Read more...

24 Sep 00:46

yeahiwasintheshit:

James Folta

Y/N ?

11 Sep 15:10

The North Atlantic Diet

James Folta

How do we feel about self-horn-tooting 'round here?

 Assorted fresh raw ocean  fishes and seafood on the market.
Photograph by Vladimir Zuev / Alamy

Although less popular than the glamorous Mediterranean Diet, the North Atlantic Diet is a great option for staying fit and healthy. The North Atlantic Diet is more than just a health regimen; it’s a total health system based on the life styles of swarthy eighteenth-century sea captains, near-insane lighthouse keepers, and stowaways who think only of revenge.

The North Atlantic Diet offers plentiful food options with good fats, whole grains, and lots of cod. Fruits and vegetables are limited to the hardiest types—you can only eat apples that are as tough as the bark on your family tree, or potatoes (the wisest vegetables, as they know to hide underground and out of sight, where the cruelties of the world and its so-called God cannot reach them).

This diet is a seafood-lover’s bounty: scallops, oysters, and mussels are just some of the many options you’ll find on the North Atlantic table. One daily portion of seafood is suggested, and two daily portions of cod are required. Lobster may be eaten once a week, though too much lobster will make you see in the mirror the face of someone whose money has left him soft-handed, floating above the muck and brine of the world and never knowing true misery but also never sipping from the cup of true relief. For where the cold, foaming sea crashes the hardest, from there does it also retreat the farthest. Such is the lot of the world, a dice roll of cruelty.

If necessary, lobster may be replaced with more cod.

The North Atlantic Diet lets you cut loose, too! You can have one pint glass per day of any liquor, so long as it is the same angry hue as the boiling North Atlantic. Drinking more than this while on the diet may make sea air feel as cold as death itself, and you might begin to doubt that your son will ever return.

Exercise is an important part of any diet. Swimming, rowing, staring into the far-off distance, and peg-leg cardio-kickboxing are all popular North Atlantic options. A good rule of thumb is if the exercise could lead to losing a limb or having an experience that you will bury deep down and never speak of again, it’s diet-approved.

Replace all oils with cod oil, all fish with cod, and all milk with cod milk—it’s an acquired taste, but one you will come to love the longer you stay on the diet.

Every two weeks, fast for one day. This is your “Sonday,” a day when you will sit with the dark fear that your son might well return, yea, but in such a changed form that you will see so little of your son left in him that he might as well have never returned at all. On these fast days, you will dine only upon your sorrows.

If you are swallowed whole by a whale, you can eat whatever you like. This is known as a “Nantucket Cheat Day.”

Diets aren’t just about nutrition—they’re a chance to explore a different culture. The Mediterranean Diet is about communal meals, shared with family and friends. For the North Atlantic Diet, dine alone, preferably in darkness, upon a wind-lashed widow’s watch.

After just a few months on the North Atlantic Diet, many find that they’re already full of energy, sleeping better, and plagued by a fear as unnameable as it is large, as they anxiously await a son’s return from a voyage they begged him not to go on. People on the North Atlantic Diet typically have more bitter rivalries and slay more vengeful whales than the average person. They also eat roughly the same amount of cod in a year as a full-grown harbor seal.

If you’re looking for a diet to tone your body, keep your heart healthy, and prolong your life, there may be better options. But if you’re looking for a diet to keep your body able and full of cod while you gaze through a pitted-glass window and descend into sea madness, the North Atlantic Diet is for you.

10 Sep 14:20

We're having a cyberdemon! Programmer gets Doom running on a pregnancy test

by Reid McCarter on News, shared by Reid McCarter to The A.V. Club
James Folta

This is wild! A reminder that so many things are computers now!

Technological innovation moves so fast that the future is always pregnant with possibility. Consider Foone Turing, a visionary programmer who apparently looks at the world around them and sees not just objects meant to be used as designed, but as potential vessels for playing Doom.

Read more...

01 Sep 20:56

First 3D look at an embryonic sauropod dinosaur reveals unexpected facial features

by noreply@blogger.com (Unknown)
James Folta

The eyes on these renderings really got me

About 25 years ago, researchers discovered the first dinosaur embryos in an enormous nesting ground of titanosaurian dinosaurs that lived about 80 million years ago in a place known as Auca Mahuevo in Patagonia, Argentina. Now, researchers reporting in the journal Current Biology describe the first near-intact embryonic skull. The finding adds to our understanding of the development of sauropod dinosaurs, a group characterized by the...

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26 Aug 02:08

Elvis Costello - Tramp The Dirt Down

James Folta

Been thinking about Costello's anti-Thatcher song a lot lately:

"Because there's one thing I know,
I'd like to live long enough to savor
When they finally put you in the ground
I'll stand on your grave and tramp the dirt down"

21 Aug 21:17

The Gosling Effect

by Geoff Manaugh

[Image: Curtains mistaken for Ryan Gosling; original image supplied by Jomppe Vaarakallio, courtesy PetaPixel; click through to PetaPixel to see the Gosling’d image.]

While processing an image using AI-assisted software, a photographer named Jomppe Vaarakallio unexpectedly found actor Ryan Gosling’s face in the resulting image file. The software apparently mistook some window curtains, featuring just the right geometry of shade and folding, for the Canadian actor and thus inserted his face.

According to PetaPixel, this “shows you what happens when computer vision gets tripped up by what looks like a blurry face”—but, of course, it is also what happens when we put too much faith in pattern recognition as a viable form of analysis, whether it’s visual, textual, or otherwise.

Like playing Led Zeppelin records backward in the 1970s and straining to hear subliminal messages pledging allegiance to Satan in the noise, we could feed all our photos through AI programs and see what secret scenes of celebrity rendezvouses they uncover—famous faces hidden in tree leaves, carpets, and window shades, in clothes hanging inside closets and in the fur of distant animals. Use it to generate scenes in films and novels, like Blow-Up or The Conversation for an age of post-human interpretation.

In fact, I’m sure we’ll see the rise and widespread use of authoritarian AI analytics, fed a constant stream of images and audio recordings, finding crimes that never happened in the blur of a street scene or hearing things were never said in a citywide wiretap—call it the Gosling Effect—resulting in people going to prison for the evidential equivalent of faces that were never really there.

(Spotted via @kottke.)